It doesn’t seem 5
minutes since I was interviewing the supremely affable lads in what
was then ‘Chickenhawk’, in the run up to the band’s
first (and if memory serves me correctly, somewhat problematic)
recorded release. During the intervening 6 years, lead
singer/guitarist Paul Astick and guitarist Rob Stephens have tinkered
with the line-up, changed their name to ‘Hawk Eyes’ and knocked
out a couple of belting records, ‘Modern Bodies’ and ‘Ideas’,
leaving them on the verge of breaking through to wider acclaim.
Hawk Eyes’ third
album ‘Everything is Fine’ is available via Pledge and
following the recruitment of new drummer John Mackenzie, the band
continues in their quest to bring uncompromising yet accessible metal
to the masses. On first listen, what becomes apparent very quickly is
the quality of the song composition, the greater emphasis on vocals
and top notch production, they’ve definitely stepped up a gear
since their last effort, and that’s high praise indeed.
Curtain-raiser ‘The
Trap’ commences with a slow haunting prelude before the toms kick
in, adding to the overall sinister and menacing effect that carries
through to next track ‘The Ambassador’. Crunching riffs and a
surprisingly grungy middle eight make up an exhilarating ‘Die
Trying’ and ‘Permission’ is another fine slice of speed metal.
We then get a shift in
tone as the (perhaps too) short but perfectly formed ‘The Ballad of
Michael McGlue’, cranks-up the melody quotient to dizzying heights
and wouldn’t sound out of place on a good American college rock
station as we leap straight into the more frenetic but equally
enjoyable ‘More than a Million’, complete with a trademark fret
board shredding solo from Mr Stephens. ‘Terribly Quelled’
provides the listener with yet another infectious groover, perhaps
the ideal accompaniment for a car chase sequence in a Hollywood
blockbuster with Paul growling ‘Happiness is a Risky Business’
throughout…..wise words indeed.
‘Night Music’ has
you believing the fear factor is back again but then we get a
whopping great chorus with echoes of grunge and if I’m not
mistaken, there’s even a hint of Rush in there. ‘I Never
Lose’ is quicker, choppier and more industrial but still easily
stands up to scrutiny and there is no letting up with the pace as
title track is up next, followed by penultimate ‘Enemies’
containing another hook-laden chorus as the frontman asks us ‘Why
don’t you let your hair down?’ Er, isn’t that what we’ve been
doing for the last eleven tracks Paul?
Nine of the twelve
songs on offer here clock in at less than four minutes, only the
closing number ‘TFF’ sees the quartet extend themselves in a 7
minute plus mini-epic. The sound is big, bold and beautiful, a
startlingly good end to a humdinger of a record that has a fair
chance of success on both sides of the pond.
Everything here is very
fine indeed.
Words - Mike Price
Hawk Eyes official
Pledge
Listen - 'Die Trying'
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