It’s a quarter century since I first tripped over Quasi, a formerly husband and wife duo peddling a slightly cartoonish yet strangely alluring Rock-Si-Chord powered indie-pop, the instrument in question producing a phat-as-phuq sound, somewhere in between Wurlitzer, Rhodes and Harpsichord. Their superb break-up track ‘I Never Want to See You Again’ graced many a late 1990s music magazine compilation although I have absolutely no recollection of their support set before Elliott Smith’s unforgettable 1999 Manchester University show which I was supremely fortunate to witness, funny that.

