"...it’s great to see the band choosing to return to Brudenell to launch their latest European tour in support of the new record, emerging in front of a packed venue to the Nina Simone classic ‘I Wish I Knew How it Would Feel to be Free’."
"...He cuts quite a sharp-dressed slender figure through the blue swathes of dry ice as his brother still sporting that wild bird's nest of hair cranks out the walls of noise behind him."
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"The trademark Grandaddy sounds are still in evidence on the dozen tracks on ‘Last Place’, all written by Jason; fuzzy analogue synths lovingly dusted down and sounding as good as ever..."
"Doffing a cap to International Women’s Day, we then get a trio of Marling tracks baring female names, starting with her cozy new ode to the capriciousness of the fairer sex ‘Nouel’’ followed by ‘Daisy’ and ‘Sophia’, the latter featuring twelve string guitar work to send a shiver down the spine..."
"...don't think for a minute then that this forth installment is their grown up, mellowed out, mature album. Not entirely anyway. Fret not young moshers, you'll be losing your shit/phones/trainers to some of these short sharp blasts of high energy guitar-fueled rock fury".
"...the album’s sound is as densely packed as the auditoria will be in her forthcoming shows, big bass dominating a somewhat noir soundscape, yet still allowing our heroine’s chocolatey mezzo vocal free reign".
"...the set closed with the anthemic ‘Light Show’ from ‘The End of That’. Every number sounding sharp and full-on, showcasing the band’s elaborate song structures without any of them outstaying their welcome."
It’s been four long years since Matt, Oliver, Ryan, Dave and Jimmi put out their last album so it’s great to see the Rothwell quintet finally releasing some new material and donning their gigging boots once more...